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| order | Film (Distributor) | Three-Day Total (Nov 25-27) | Total gross to date | week |
|---|---|---|---|---|
| 1. | Roald Dahl’s Matilda The Musical (Sony) | £4.1m | £4.1m | 1 |
| 2. | Black Panther: Wakanda Forever (Disney) | £2.7m | £27m | 3 |
| 3. | strange world (Disney) | £717,074 | £832,815 | 1 |
| 4. | instruction sheet (Disney) | £429,244 | £2m | 2 |
| 5. | she said (universal) | £349,513 | £444,806 | 1 |
GBP to USD conversion rate: 1.21
Roald Dahl’s Matilda The Musical Sony leads the pack at the UK-Ireland box office this weekend, with £4.1m from 668 locations.
This meant an average of £6,138, beating its recent Sony family musical stablemate. Lil, Lil, Crocodilewhich took £1.7m in its October opening weekend with an average of £2,756.
The BFI London Film Festival (LFF) opening night film is directed by Matthew Warchus, with Denis Kelly writing and Tim Minchin composing, and based on a stage musical created by the same trio. Working Title produces, Netflix will release in the rest of the world from December and in the UK in the summer of 2023. Emma Thompson, Stephen Graham, Andrea Riseborough and Lashana Lynch star in the role of newcomer Alisha Ware.
It’s a testament to the ongoing appeal of Roald Dahl’s source material. Steve Spielberg’s The BFG It took £5.3m from 680 sites in its opening week in July 2016.Roald Dahlswitches Its 2020 pandemic release missed its chance at a proper theatrical push.
Black Panther: Wakanda Forever Disney was knocked off the top spot in its third weekend, taking £2.7m – down 56% on its previous session, bringing its total to £27m.
Disney Animation strange world It fell just shy of the £1m mark, taking £717,074 from 573 sites in its first week, with a total of £832,815 including previews. Its average is £1,251.
Disney instruction sheet Its second weekend grossed £429,244, down 55% from its opening session. His overall figure is just shy of £2m.
Directed by Universal’s Maria Schrader she said – the story of New York Times journalists Jody Cantor (Zoe Kazan) and Megan Toohey (Carey Mulligan) and their investigation into Harvey Weinstein – took £349,513 in its first week from 530 sites, averaging £659. With £95,293 in previews, its total is £444,806.
Warner Bros Bones and all It came out with £210,257 from the weekend with an average of £445 across its 472 sites. £107,985 from previews brought its total to £318,242. The Timothée Chalamet-led Venice premiere is directed by Luca Guadagnino and follows two outsiders on a 1,000-mile journey from Ronald Reagan’s America.
Warner Bros black adam It took £166,518 in its sixth week, for a cumulative total of £19.6m.
of Lionsgate in which you live Its fourth outing took £130,970, now totaling £3.1m.
Lil, Lil, Crocodile In his seventh outing he has taken £116,000, bringing his overall total to £12.3m.
DisneyBanshees of Inisherin Its sixth season brought in £111,403, a 66% drop from its previous weekend total of £8.5m.
Netflix presented the film at the Toronto premiere and LFF closing night Glass Out: A Knives Out Mystery The three major UK cinema chains, Odeon, Cineworld and View. This is the first time a US streamer has done so. According to the Film Distribution Association, it was played at more than 100 sites. Netflix doesn’t report box office figures, though early indications suggest strong box office averages.
The Rian Johnson-directed sequel, headlined by Daniel Craig, is playing in a seven-day theatrical window from November 23-29, before hitting Netflix on December 23. This weekend, Netflix also released Lady Chatterley’s loverStarring Emma Corinne and Jack O’Connell, in less than 25 sites.
Event Cinema
It was a perfect week for Trafalgar Releasing. comedian and Matilda A stand-up show by musician Tim Mitchin Tim Minchin: Back Played live on Wednesday (November 25), with eight venues played across the weekend. It grossed £2,346 (£293 average) over the weekend, but with an overall figure including Wednesday’s live screenings of £155,353. The distributor took £112,339 from 313 sites on Sunday alone for Adam Penford. A Christmas Carol: A Ghost StoryFilmed live at London’s Alexandra Palace Theatre, starring Mark Gatiss, averaged £359.
Elsewhere, Cannes titles continued their run at the box office with Mubi Afterson, starring Paul Mescall, enjoyed a respectable second weekend at the box office, taking £110,184, bringing its cumulative figure to £489,924. Ruben Ostlund’s Cannes Palme d’Or winner Triangle of Sadness It grossed £54,106 in its fifth weekend. His total for Lionsgate is £1.2m.
Lionsgate also took in £29,030 for horror Hunt for the devilFor an overall figure of £2.3m.
Signature Three Day Millionaire – a dark comedy directed by Jack Spring who plans a heist for the greater good in Grimsby, starring Colm Meaney – took £4,625 from 16 sites for a location average of £289. With previews, his total has risen to £13,053.
Hindi language crime thriller by Yash Raj FilmsApproach 2 His second outing continued his respectable run with £61,870, taking his total to £287,423.
of Paramount smile t ook £22,000, with an overall figure of £11.6m.
Universal’s Permanent Animation Minions: Rise of Gru In its 22nd season, the weekend was down 67% with a take of £18,155 and a cumulative figure of £46.8m.
The legend of Maula Jatt Moviegoers Entertainment took £12,661 in its seventh weekend, bringing its total to £1.4m.
The Woman King eOne took £11,000, down 58% on its previous weekend. After eight sessions, the total is now £3.8m.
Trinity Films The Sparring Partner It grossed £6,476 in its second weekend, bringing its total to £72,348.
In its second week, the Cannes premiere directed by Universal’s James Gray Armageddon time It brought in £5,664 for a total of £130,439, down 91% on its opening.
New Wave Films’ What do we see when we look at the sky? Earned £1,665 from five sites, averaging £333, in its first weekend.
of Conic Utama – Bolivia’s international Oscar feature contender – took £1,305 from six sites in its opening weekend, averaging £218. Alejandro Loiza Gresi’s debut feature won the Grand Jury Prize in the World Cinema Dramatic Competition at Sundance this year.
Thomas Laws’ silent film was also released this weekend Amaryllis For Munro Films, Met Film Distribution’s Sundance premiere nanny, and a 70th-anniversary re-release of French director Jacques Baker Cask d’Or For ICOs.
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