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Digitally de-aging actors must be an enticing proposition for a film studio. Not only do you take advantage of generations of nostalgia, but you can also skip the backlash that comes with remaking a beloved character. It would be better if, like in the new Indiana Jones movie, Dial of Destiny, just for one scene. That way you can provide the kind of connective tissue necessary to legitimize a new sequel — especially one made 41 years after the original.
This latest detail about the long-in-development film is part of an Empire magazine story, which revealed several facts about the new film’s opening, including the de-aging of star Harrison Ford in his age in the original trilogy.
According to director James Mangold (Logan), Indiana Jones and the Dial of Destiny‘s opens in 1944 in a castle full of Nazis as Indy goes on all kinds of adventures to free himself. And, allegedly, he will do all this looking like his old self Raiders of the Lost Ark itself, though it remains to be seen.
After all, Disney, which is making this film under 20th Century Pictures, has a complicated history with de-aging and is responsible for some of its strangest and most surprising uses to date. Famously, the company recreated Grand Moff Tarkin and Peter Cushing’s Carrie Fisher as Princess Leia, with unintentionally weird and somewhat terrifying results, for Rogue One: A Star Wars Story. The series also faced mixed results with its digitally de-aged Luke Skywalker The Mandalorianbrought back the actor’s voice in the decades up to 1983.
But perhaps the most famous de-aging belongs to Netflix, not Disney. That studio is solely responsible for Martin Scorsese’s The Irish, where it recreated Robert de Niro, Joe Pesci, and Al Pacino over several decades of in-movie stories with decidedly mixed results.
To help avoid any of these issues, Mangold teamed up with visual effects studio Industrial Light and Magic to work with new software that combines reams of archive footage of Ford’s younger self and matches it with the newly shot footage, which brings the two together in something the team is hoping for. looks seamless.
Indiana Jones 5 Producer Kathleen Kennedy, who also produced all of the aforementioned Star Wars properties, is bullish on some of the new techniques that have come along since digital de-aging first made its big forays into film.
“My hope is that even though it’s about technology, you just watch it and say, ‘Oh my God, they just found footage. It’s something they filmed 40 years ago,” Kennedy told Empire.
The eminent Ford also shared some of Kennedy’s optimism. “It’s the first time I’ve seen it where I believe it,” the actor told Empire. And while he’s certainly bound to say good things about the movie, it’s worth remembering that of all the franchises he’s worked on, Ford has never been shy about calling Indy a favorite, or about his desire to return to it. And how much love for the franchise must be worth; Ford probably wouldn’t have gotten on board with de-aging if ILM hadn’t shown him it worked.
Regardless of the outcome, we’ll have to wait until we see the first footage of the film’s premiere for ourselves, or perhaps until its final release date of June 30.
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