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According to Brad Duke’s “Harrison Ford: The Films,” the actor viewed the impending (though far from guaranteed) success of “Star Wars” as a springboard to more interesting work. “Heroes” offered an appealing landing spot. Ford was third billed behind Henry Winkler, a television phenomenon based on his portrayal of The Fonz on “Happy Days,” and Sally Field, who was about to become a full-fledged movie star as Burt Reynolds’ co-star in 1977’s second-highest-grossing film (behind “Star Wars”) “Smokey and the Bandit.”
Ford read the passage (perhaps the last time he did so), and left a lingering impression on Kagan:
“He was a little shy and pretty good at the casting session, but he didn’t talk very much. He stayed in my mind, though, and I called him back and he told me a little more about himself. I thought that I’ll take a chance. There was something special about him. Something honest, simple, that came from the heart.”
“Heroes” received mixed reviews, but even the harshest pan, from The New York Times’ Vincent Canby, praised Ford’s screen presence. Ford shrugged at the reception. “I don’t care if people watch the movie,” he said. “I’m doing this for people in the industry so they understand that this is not the only string to my bow … and that I’m determined to do that kind of thing.”
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