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When Frederic Forrest lands the part of Mark, an apparent participant in an extramarital affair monitored by paranoid snoop Harry Caul (Gene Hackman), Harrison Ford’s rotten luck seems to earn him another shot at getting out of a high-profile film (and — between Francis Ford Coppola’s releases of “The Godfather” and “The Godfather Part II” — it never got more high-profile than “The Conversation”). Producer Fred Roos was hired by Ford, however, and lobbied Coppola to consider him for the unwritten role of Martin Stett, Caul’s delicate client’s assistant.
Ford couldn’t refuse, so he took the gig, and, as he did in “Dead Heat on a Merry-Go-Round,” invested his minor character with a rich inner life that was nowhere to be found. . page. According to Brad Duke’s biography, “Harrison Ford: The Films,” Ford decided that Stett should be gay.
Bravely, Ford refused to alert Coppola before his extratextual interpretation. He just showed up on the set and it hit the Academy Award-winning director. How did it play out? According to Duke:
“Arriving on set in a newly purchased $900 green flannel suit, Ford approached his director, who could barely contain his astonishment. When Ford described his intentions to the bewildered Coppola, the director happily allowed the actor to play his first screen. homosexual. Because of this, the office set was changed to better suit the latest movie personality.”
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