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The Yellowstone prequel series 1923 dive deeper into the Dutton family legacy. Now at home in Montana after the events of the previous prequel series 1883, Jacob Dutton and his family must survive the drought and lack of resources as well as the impending economic depression. Due to the popularity of Yellowstone, the prequel series is sure to be a draw for fans. However, with beloved actor Harrison Ford bringing Jacob to life, 1923 is a must-watch. Ahead of the series premiere, CBR attended a roundtable with Ford to dive into his work on Yellowstone series.
When Looper asked how filming was going 1923 for television versus working in movies, Ford replied that “for an actor, there’s not much difference between shooting for television and shooting for a feature film. There may be more time to develop a character in different episodes than you have. in a two-hour movie, but the only difference really these days, I believe… We used to think of television as having less ambition, perhaps, than feature films. This is no longer the case at all.”
“This is one of the most ambitious tasks,” continued Ford, “I’ve done. I’m very happy with what I’ve seen so far because we’re in post-production on most of it, but we’ve locked down the first couple of episodes, and I’m happy with what I’m seeing. I’m enjoying working with very high-quality actors and actresses. We have the technical capacity or the ambition to shoot it in such a way that it’s a feature film. It looks pretty good. I’m excited about the whole project .”
Looper also asked Ford how 1923 compared to working on Star Wars and Indiana Jones franchises. “We spend more time outside,” he replied, “in real places than the sets that have to be built to create a reality. So there’s a sense of reality there. Once you walk into that cold, and you are [wearing a] 1923 costume, we begin to understand what the true life of a cowboy is like.”
Ford then discussed his methods for delivering his fan-favorite shows over the years, as well as his upcoming performance as Jacob Dutton. “I want to serve the character,” he described, “and have the character serve the story. I’m looking to alloy the character with the story because they support each other. Taylor Sheridan has written a dense and complicated character. It’s both it’s an honor and a challenge to accept it, and I enjoy it very much.”
Ford was a fan of Sheridan’s work, though he never saw it all Yellowstone. “I’m working and busy,” he said, “and I don’t have much time to catch up, but I thought it was more important that I see everyone 1883which I did, because that was the closest to the time and story-wise of what was developed Yellowstone elements. Yellowstonetaking place in contemporary times… I love that work by Kevin [Costner]does, and i like the show, but 1883 was more important to me to focus on, and it was very useful in helping me understand the way they were telling their stories.”
Collider asked Ford what attracted him 1923 in the first place. “I based my decision on personal meetings with Taylor,” Ford explained. “There was no script at the time we agreed. One of the real draws for me was the opportunity to work with Helen. [Mirren] again to play my wife — Helen Mirren, who was the first on board. When Taylor and I met, it was probably at least three or four weeks ahead of the script, so he talked to me about what his ideas were, and I was impressed by his expression of his ambition and his honesty. When I got the script, I was very gratified. I think it is very interesting. It’s ambitious, again, but it’s a character that’s very different from anyone I’ve played so far, and that interests me. I’m always interested in working on new things, and I don’t think there’s a huge difference between movies and an ambitious television project.”
When CBR asked Ford to re-explain his on-screen relationship with Mirren for 1923, he described how they had known each other for a long time. “Even though we didn’t spend a lot of time [together] because of the last 40 years. He played with my wife Mosquito coast. Of course, I know his career, and I’ve seen his work over the years, and we keep in touch from time to time. He is a very kind person and a very talented artist. That was one of the big draws, the chance to work with Helen again.”
In response to a question from Fox New Digital about the secret to his long and storied career, Ford was quick to confide in those he worked with. “Working with people who are accomplished in their areas,” he continued, sharing credit with the rest of the skilled folks that have made his movies a reality. “I mean, the range of directors I’ve had the opportunity to work with,” Ford says, “definitely [has] has been extraordinary.”
“I was very lucky,” Ford recalled. “I started in the business when the movie business was so closely connected to the culture, and we had such an influence on the culture. It was really a very good time for the movie business. Some of the giants of the movie business where we ‘ I’m still working, and I’ve had the opportunity to work with people like this [Alan] Pakula and Sydney Pollack and Peter Weir and many others at a time when films were emerging. That might be enough, but I’m still happy to work. I still enjoy telling stories, and Taylor Sheridan is definitely one of those people who is the most extraordinary talent of our time, and I’m really happy to do it.”
Returning to the subject of his role as Jacob in 1923, Metacritic asked Ford what part of his character’s journey he wanted to dive into. “The character finds himself in very demanding circumstances, difficult circumstances,” he explained. “The pressures on the ranch, which represented the future for his family, the pressures were intense. They were in the middle of a drought. The depression was near, so the economic support collapsed. Loans were not easy to get for to cattle. There is competition for grass from sheep. There are pressures on the land itself from extractive industries, and it’s a complicated time. A lot of those complications and pressures fall on Jacob’s shoulders Dutton. The way he deals with them is different. So Taylor wrote me a matrix for a character that I feel very confident in and feel fortunate to have the opportunity to express.”
The outsider asked Ford why Jacob could succeed where his younger brother James played 1883 by Tim McGraw, failed. “I can’t conceive of Tim McGraw’s character as having failed. I would say that the circumstances overwhelmed him. It’s not a flaw of his character. The same Dutton steel is in Jacob that there is in the character played by Tim.” In response to another question from Outsider about what sets Jacob apart from other characters he’s played, Ford simply said, “He’s Jacob Dutton. It’s a concrete character that I think is realistic and intriguing to give expression to.”
Taste of Country asked Ford to dive into his process for creating the character of Jacob. “There are many important aspects of creating a character,” explains Ford. “The first thing that comes to you when you agree to play a character is the physical expression of his characteristics — the costume. Once I find the costume, I’m part of the way to find the man, and I’m helped. in clothing choices of brilliant people.”
“Then,” continued Ford, “in the way the character was written, I began to see that Taylor had created an architecture that, once I recognized the architecture of things, I could see that the story was built in moments of hinge on the character’s character. life. Knowing which way the hinge is turning and where we’re going, I can see that Taylor is making a lot of progress for me, along with the usual work of an actor trying to continue his myself in a The story is nailed tight and that’s really, really, I can just be there and be as real in that situation, as possible, and it will do the job.”
“There’s no context,” he explained, “where the performance of each is so important. Cowboys are determined, and they’re tough, and they’re tough. We know that about cowboys. Taylor gave me the opportunity to express it in contexts that we don’t see a lot. It’s very well written. The challenge is living the character, and I really enjoyed that process, working with Taylor.”
At the end of the roundtable, Ford discussed what he’s been up to 1923 Character exploration of the Western genre is unique. “I think he’s putting the mythology — the cowboy legend and American history — under the strain of reality,” Ford explained. “There is a degree of distance between what America represents and how it acts. While we may be ambitious for representation, we live in reality, and Jacob Dutton has difficult choices to make. , and he’s the one making the tough choices like an animal with its back against a wall. It’s very interesting — to me.”
1923 premieres December 18 on Paramount+.
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